Jana Kopelent Rehak: Eco Dance and Meditations
My drawings and photographs capture the dancing shadows of the human body as itvmoves to the sound of the water against the rocks. Through my camera, I focus on the
broken shadows falling over the stones, fragmented as they disappear into the darkness of the cracks between them. When I draw, my hand layers colors inspired by what my geology friends call the “ocean crust.”
Dr. Jana Kopelent-Rehak, cultural anthropologist, artist, and filmmaker, is currently a faculty member in the Earth and Planetary Sciences Department at Johns Hopkins University and the Anthropology Department at the University of Maryland. The eco-phenomenological perspective unites her artwork and anthropological research. The eco-phenomenological perspective unites her artwork and anthropological research. Her artwork, lyrical or documentary inspired by the environment, explores human belonging to places and engagement with natural elements such as water, grasses, rock, and trees. Her research embraces a range of issues such as social ecology, environment, health and climate, social inequality, and political life. Her most recent work in environmental anthropology resulted in the book We Live in the Water (JHU Press 2024), which examines climate, aging, and changing socioecology on Smith Island in Maryland. In addition to her book, she made an ethnographic film Family Frames (2019) Her urban anthropology work is based on an engagement with communities in Baltimore, addressing urban sociology. In the Czech Republic, she worked with ecological refugees from Chernobyl, and published a book, Recovering Face (Rehak2012), about Czech Political Prisoners, addressing social processes in post-socialist Central Eastern Europe, followed by the co-collaborative publication The Politics of Joking (Kopelent-Rehak and Trnka 2019) is an original contribution to an anthropological study of humor in political life. https://scholarworks.iu.edu/journals/index.php/aeer/article/view/2010